Crime fiction/Bibliography: Difference between revisions
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(2015). German stories of crime and evil from the 18th century to the present = Deutsche Geschichte von Verbrechen und Bösem vom 18. Jahrhundert bis zur Gegenwart : a dual-language book. Mineola, New York: Dover Publications, Inc. | |||
(2016). American crime fiction : a cultural history of Nobrow literature as art. New York, NY: Springer Berlin Heidelberg. | |||
Anderson, J., Miranda, C., & Pezzotti, B. (2012). The foreign in international crime fiction : transcultural representations. London; New York: Continuum. | |||
Anderson, J., Miranda, C., & Pezzotti, B. (2018). Blood on the table : essays on food in international crime fiction. Jefferson, North Carolina: McFarland & Company, Inc., Publishers. | |||
Aristodemou, M., Macmillan, F., & Tuitt, P. (2017). Crime fiction and the law. Abingdon, Oxon; New York, NY: Birkbeck Law Press. | |||
Barker, D., & Starkey, T. (2019). Detecting the South in fiction, film, and television. Baton Rouge: Louisiana State University Press, [2019]. | |||
Bendixen, A., & Edenfield, O. C. (2017). The centrality of crime fiction in American literary culture. New York, NY; Milton Park, Abingdon, Oxon: Routledge. | |||
Butler, S., & Sienkiewicz-Charlish, A. (2018). Crime fiction : a critical casebook. Berlin; New York: Peter Lang. | |||
Craig-Odders, R. W., & Collins, J. (2009). Crime scene Spain : essays on post-Franco crime fiction. Jefferson, N.C: McFarland & Co. | |||
Edwards, M. (2019). Deep waters : mysteries on the waves. Naperville, Illinois: Poisoned Pen Press, an imprint of Sourcebooks, in association with the British Library. | |||
Elias, U., & Sienkiewicz-Charlish, A. (2014). Crime scenes : modern crime fiction in an international context. Frankfurt am Main; New York: Peter Lang Edition. | |||
Gregoriou, C. (2012). Constructing crime : discourse and cultural representations of crime and ‘deviance. Basingstoke: Palgrave Macmillan. | |||
Kahn, A. M. (2015). Connecting past and present : exploring the influence of the Spanish Golden Age in the twentieth and twenty-first centuries. Newcastle Upon Tyne: Cambridge Scholars Publishing. | |||
Kim, J. H. (2014). Class and culture in crime fiction : essays on works in English since the 1970s. Jefferson, North Carolina: McFarland & Company, Inc., Publishers. | |||
Kim, J. H. (2020). Crime fiction and national identities in the global age : critical essays. Jefferson, North Carolina: McFarland & Company, Inc., Publishers. | |||
Klinger, L. S., Penzler, O., Biggers, E. D., Van Dine, S. S., Queen, E., Hammett, D., & Burnett, W. R. (2018). Classic American crime fiction of the 1920s (First Pegasus Books edition. ed.). New York: Pegasus Crime. | |||
Kniesche, T. W. (2019). Contemporary German crime fiction : a companion. Berlin; Boston: De Gruyter. | |||
Lange, C., & Peate, A. (2019). Crime scenes : Latin American crime fiction from the 1960s to the 2010s. Oxford; New York: Peter Lang. | |||
Lord, R. A. (2010). Crime scene, Singapore : the best of Singapore crime fiction. Singapore: Monsoon. | |||
Mannion, E., & Cliff, B. (2020). Guilt rules all: Irish mystery, detective, and crime fiction (First edition. ed.). Syracuse, New York: Syracuse University Press. | |||
Martin, R. (2013). Crime and detective fiction. Ipswich, Massachusetts: Salem Press, Grey House Publishing. | |||
Nickerson, C. R. (2010). The Cambridge companion to American crime fiction. Cambridge; New York: Cambridge University Press. | |||
Nicol, B., McNulty, E., & Pulham, P. (2011). Crime culture: figuring criminality in fiction and film. London; New York: Continuum. | |||
Nilsson, L., Damrosch, D., & Haen, T. D. (2017). Crime fiction as world literature. New York, NY: Bloomsbury Academic. | |||
Penzler, O., Conger, E., Heller, J., Tinapp, B., Brick, S., Connell, R. E., . . . Woolrich, C. (2012). Black mask stories. and other crime fiction from the legendary magazine. [Minneapolis, Minn.]: Highbridge Co. | |||
Pepper, A., & Schmid, D. (2016). Globalization and the state in contemporary crime fiction : a world of crime. London: Palgrave Macmillan. | |||
Raczkowski, C. (2017). A history of American crime fiction. New York: Cambridge University Press. | |||
Rose, M. J., & Sloniowski, J. (2014). Detecting Canada: essays on Canadian crime fiction, television, and film. Waterloo, Ontario, Canada: Wilfrid Laurier University Press. | |||
Rzepka, C. J. (2020). Critical essays on Elmore Leonard: If it sounds like writing. Hoboken, NJ: Wiley-Blackwell. | |||
Rzepka, C. J., & Horsley, L. (2010). A companion to crime fiction. Chichester, U.K.; Malden, MA: Wiley-Blackwell. | |||
Sagaster, B., Strohmeier, M., & Guth, S. (2016). Crime fiction in and around the Eastern Mediterranean. Wiesbaden: Harrassowitz Verlag. | |||
Szereto, M. (2020). The best new true crime stories: small towns. Coral Gables: Mango Publishing. |
Latest revision as of 16:19, 25 September 2020
- Please sort and annotate in a user-friendly manner. For formatting, consider using automated reference wikification.
(2015). German stories of crime and evil from the 18th century to the present = Deutsche Geschichte von Verbrechen und Bösem vom 18. Jahrhundert bis zur Gegenwart : a dual-language book. Mineola, New York: Dover Publications, Inc.
(2016). American crime fiction : a cultural history of Nobrow literature as art. New York, NY: Springer Berlin Heidelberg.
Anderson, J., Miranda, C., & Pezzotti, B. (2012). The foreign in international crime fiction : transcultural representations. London; New York: Continuum.
Anderson, J., Miranda, C., & Pezzotti, B. (2018). Blood on the table : essays on food in international crime fiction. Jefferson, North Carolina: McFarland & Company, Inc., Publishers.
Aristodemou, M., Macmillan, F., & Tuitt, P. (2017). Crime fiction and the law. Abingdon, Oxon; New York, NY: Birkbeck Law Press.
Barker, D., & Starkey, T. (2019). Detecting the South in fiction, film, and television. Baton Rouge: Louisiana State University Press, [2019].
Bendixen, A., & Edenfield, O. C. (2017). The centrality of crime fiction in American literary culture. New York, NY; Milton Park, Abingdon, Oxon: Routledge.
Butler, S., & Sienkiewicz-Charlish, A. (2018). Crime fiction : a critical casebook. Berlin; New York: Peter Lang.
Craig-Odders, R. W., & Collins, J. (2009). Crime scene Spain : essays on post-Franco crime fiction. Jefferson, N.C: McFarland & Co.
Edwards, M. (2019). Deep waters : mysteries on the waves. Naperville, Illinois: Poisoned Pen Press, an imprint of Sourcebooks, in association with the British Library.
Elias, U., & Sienkiewicz-Charlish, A. (2014). Crime scenes : modern crime fiction in an international context. Frankfurt am Main; New York: Peter Lang Edition.
Gregoriou, C. (2012). Constructing crime : discourse and cultural representations of crime and ‘deviance. Basingstoke: Palgrave Macmillan.
Kahn, A. M. (2015). Connecting past and present : exploring the influence of the Spanish Golden Age in the twentieth and twenty-first centuries. Newcastle Upon Tyne: Cambridge Scholars Publishing.
Kim, J. H. (2014). Class and culture in crime fiction : essays on works in English since the 1970s. Jefferson, North Carolina: McFarland & Company, Inc., Publishers.
Kim, J. H. (2020). Crime fiction and national identities in the global age : critical essays. Jefferson, North Carolina: McFarland & Company, Inc., Publishers.
Klinger, L. S., Penzler, O., Biggers, E. D., Van Dine, S. S., Queen, E., Hammett, D., & Burnett, W. R. (2018). Classic American crime fiction of the 1920s (First Pegasus Books edition. ed.). New York: Pegasus Crime.
Kniesche, T. W. (2019). Contemporary German crime fiction : a companion. Berlin; Boston: De Gruyter.
Lange, C., & Peate, A. (2019). Crime scenes : Latin American crime fiction from the 1960s to the 2010s. Oxford; New York: Peter Lang.
Lord, R. A. (2010). Crime scene, Singapore : the best of Singapore crime fiction. Singapore: Monsoon.
Mannion, E., & Cliff, B. (2020). Guilt rules all: Irish mystery, detective, and crime fiction (First edition. ed.). Syracuse, New York: Syracuse University Press.
Martin, R. (2013). Crime and detective fiction. Ipswich, Massachusetts: Salem Press, Grey House Publishing.
Nickerson, C. R. (2010). The Cambridge companion to American crime fiction. Cambridge; New York: Cambridge University Press.
Nicol, B., McNulty, E., & Pulham, P. (2011). Crime culture: figuring criminality in fiction and film. London; New York: Continuum.
Nilsson, L., Damrosch, D., & Haen, T. D. (2017). Crime fiction as world literature. New York, NY: Bloomsbury Academic.
Penzler, O., Conger, E., Heller, J., Tinapp, B., Brick, S., Connell, R. E., . . . Woolrich, C. (2012). Black mask stories. and other crime fiction from the legendary magazine. [Minneapolis, Minn.]: Highbridge Co.
Pepper, A., & Schmid, D. (2016). Globalization and the state in contemporary crime fiction : a world of crime. London: Palgrave Macmillan.
Raczkowski, C. (2017). A history of American crime fiction. New York: Cambridge University Press.
Rose, M. J., & Sloniowski, J. (2014). Detecting Canada: essays on Canadian crime fiction, television, and film. Waterloo, Ontario, Canada: Wilfrid Laurier University Press.
Rzepka, C. J. (2020). Critical essays on Elmore Leonard: If it sounds like writing. Hoboken, NJ: Wiley-Blackwell.
Rzepka, C. J., & Horsley, L. (2010). A companion to crime fiction. Chichester, U.K.; Malden, MA: Wiley-Blackwell.
Sagaster, B., Strohmeier, M., & Guth, S. (2016). Crime fiction in and around the Eastern Mediterranean. Wiesbaden: Harrassowitz Verlag.
Szereto, M. (2020). The best new true crime stories: small towns. Coral Gables: Mango Publishing.