Stanley Kubrick/Filmography: Difference between revisions
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Stanley Kubrick co-wrote, produced, and directed some of the most highly regarded and innovative films ever to be financed by Hollywood studios. For decades now Kubrick has been consistently acclaimed by the world’s most influential film critics and scholars as one of the greatest film-makers of all time. | |||
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{{r|Day of the Fight}} | |||
{{r|Flying Padre}} | |||
{{r|Fear and Desire}} | |||
{{r|The Seafarers}} | |||
{{r|Killer's Kiss}} | |||
{{r|The Killing (film)|The Killing}} | |||
{{r|Paths of Glory}} | |||
{{r|Spartacus (film)|Spartacus}} | |||
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{{r|Lolita (1962 film)|Lolita}} | |||
{{r|Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb|Dr. Strangelove}} | |||
{{r|2001: A Space Odyssey (film)|2001: A Space Odyssey}} | |||
{{r|A Clockwork Orange (film)|A Clockwork Orange}} | |||
{{r|Barry Lyndon}} | |||
{{r|The Shining (film)|The Shining}} | |||
{{r|Full Metal Jacket}} | |||
== | {{r|Eyes Wide Shut}} | ||
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==''The Killing'' (1956)== | |||
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=='' | ==''Spartacus'' (1960)== | ||
The story of the slave and gladiator Spartacus, who leads a organized slave rebellion against the Roman empire. Stars Kirk Douglas and Lurence Olivier | The story of the slave and gladiator Spartacus, who leads a organized slave rebellion against the Roman empire. Stars Kirk Douglas and Lurence Olivier | ||
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==''Barry Lyndon'' (1975)== | ==''Barry Lyndon'' (1975)== | ||
''A Bildungsroman, road movie, and costume drama telling the life story of a sensitive eighteenth-century Irishman, from his first love to his rise in English society to his eventual dismal downfall. | ''A Bildungsroman, road movie, and costume drama telling the life story of a sensitive eighteenth-century Irishman, from his first love to his rise in English society to his eventual dismal downfall. Based on the novel [[The Luck of Barry Lyndon]] by [[William Makepeace Thackeray]].'' | ||
==''The Shining'' (1980)== | ==''The Shining'' (1980)== | ||
''A horror tale about the caretaker of a hotel who slowly loses his mind and turns against his wife and child, attempting to emulate a terrible murder from the hotel's past.'' | ''A horror tale about the caretaker of a hotel who slowly loses his mind and turns against his wife and child, attempting to emulate a terrible murder from the hotel's past.'' | ||
==''Full Metal Jacket'' (1987)== | ==''Full Metal Jacket'' (1987)== | ||
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''A.I.: Artificial Intelligence'' was a project only partially developed in concept before Kubrick's death. Steven Spielberg would go on to produce the film using the few notes Kubrick left behind about the project. | ''A.I.: Artificial Intelligence'' was a project only partially developed in concept before Kubrick's death. Steven Spielberg would go on to produce the film using the few notes Kubrick left behind about the project. | ||
Latest revision as of 16:07, 12 March 2021
Stanley Kubrick co-wrote, produced, and directed some of the most highly regarded and innovative films ever to be financed by Hollywood studios. For decades now Kubrick has been consistently acclaimed by the world’s most influential film critics and scholars as one of the greatest film-makers of all time.
The Killing (1956)
Paths of Glory (1957)
Spartacus (1960)
The story of the slave and gladiator Spartacus, who leads a organized slave rebellion against the Roman empire. Stars Kirk Douglas and Lurence Olivier
Lolita (1962)
The story of a European gentleman scholar's doomed love for a young American teenage girl.
Details
Stanley Kubrick's film adaptation of Lolita, not to be confused with the Adrian Lyne 1997 rendition starring Jeremy Irons, is widely regarded as one of the most controversial and deviant films in American Cinematic history.
The story focuses around the sympathetic portrayal of a middle-aged professor, who has a love affair with a 14-year-old he meets when moving to the United States. The cinematography, editing, and acting are all rated very well, as they are with most of Kubrick's body of work; but what makes this film unique is how it stays loyal to the theme of the book with a topic as socially unacceptable as pedaphelia.
Dr. Strangelove (1964)
A black comedy of the Cold War about a U.S. General who goes mad and singlehandedly attempts to destroy the U.S.S.R. in a nuclear holocaust.
2001: A Space Odyssey (1968)
A four-part science fiction story that spans millions of years and millions of light years, concerning three mysterious monoliths, artifacts from an alien civilization, which point humanity first toward the birth of logic and reason, then toward deep space, and finally to an alien world in an unknown part of the universe, where an astronaut, the representative of the human race, is reborn into a new, higher entity.
A Clockwork Orange (1971)
A satiric Bildungsroman of a dystopic future, in which a young man with artistic pretentions wreaks terrible violence while on drugs as a pastime, and the severe and surreal consequences that result when a government-sponsored medical program attempts to cure his violent tendencies with an experimental drug and film-watching sessions.
Barry Lyndon (1975)
A Bildungsroman, road movie, and costume drama telling the life story of a sensitive eighteenth-century Irishman, from his first love to his rise in English society to his eventual dismal downfall. Based on the novel The Luck of Barry Lyndon by William Makepeace Thackeray.
The Shining (1980)
A horror tale about the caretaker of a hotel who slowly loses his mind and turns against his wife and child, attempting to emulate a terrible murder from the hotel's past.
Full Metal Jacket (1987)
A war movie that follows a set of recruits through stages of the Vietnam War, from boot camp to a somber conclusion in a bombed-out deserted city.
Eyes Wide Shut (1999)
The story of a man whose sexual frustration and marital woes lead him into dangerous and absurd situations over three days in contemporary Manhattan.
Notable Abandoned Projects
Napoleon Screenplay (1969)
A.I.: Artificial Intelligence
A.I.: Artificial Intelligence was a project only partially developed in concept before Kubrick's death. Steven Spielberg would go on to produce the film using the few notes Kubrick left behind about the project.