Music and emotion/Bibliography: Difference between revisions
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*{{ | *{{CZ:Ref:Perlovsky 2010 Musical emotions: functions, origins, evolution}} | ||
*{{CZ:Ref:Fritz 2009 Universal Recognition of Three Basic Emotions in Music}} | |||
}} | |||
*{{cite journal | *{{cite journal | ||
| author = Juslin, P. | | author = Juslin, P. | ||
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| doi = 10.1038/453598a | | doi = 10.1038/453598a | ||
}} | }} | ||
*{{citation | |||
| last1 = Ghashghaei | first1 = H.T. | |||
| last2 = Hilgetag | first2 = C.C. | |||
| last3 = Barbas | first3 = H. | |||
| year = 2007 | |||
| title = Sequence of information processing for emotions based on the anatomic dialogue between prefrontal … | |||
| journal = Neuroimage | |||
| volume = 34 | |||
| issue = 3 | |||
| pages = 905–923 | |||
| doi = 10.1016/j.neuroimage.2006.09.046 | |||
| url = http://www.pubmedcentral.nih.gov/articlerender.fcgi?artid=2045074 | |||
}} | |||
*{{:CZ:Ref:DOI:10.1080/02699930701438020}} | |||
:{{:CZ:Ref:DOI:10.1080/02699930701438020/Quote1}} | |||
*{{cite journal | *{{cite journal | ||
| author = Eldar, E. | | author = Eldar, E. | ||
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| doi = 10.1093/cercor/bhm011 | | doi = 10.1093/cercor/bhm011 | ||
}} | }} | ||
*{{:CZ:Ref:DOI:10.1016/j.biopsycho.2006.06.009}} | |||
*{{cite journal | *{{cite journal | ||
| author = Koelsch, S. | | author = Koelsch, S. | ||
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| pages = 239-250 | | pages = 239-250 | ||
| doi = 10.1002/hbm.20180 | | doi = 10.1002/hbm.20180 | ||
}} | |||
*{{cite journal | |||
| author = Davies, S. | |||
| year = 2006 | |||
| title = Artistic Expression and the Hard Case of Pure Music, in: Kieran, M. (Ed.), ''Contemporary Debates in Aesthetics and the Philosophy of Art'' | |||
| pages = 179-91 | |||
| url = http://www.arts.auckland.ac.nz/staff/index.cfm?P=9939 | |||
}} | }} | ||
*{{cite journal | *{{cite journal | ||
Latest revision as of 04:15, 13 April 2010
- Please sort and annotate in a user-friendly manner. For formatting, consider using automated reference wikification.
- Perlovsky L (2010). "Musical emotions: functions, origins, evolution". Phys Life Rev 7 (1): 2-27. DOI:10.1016/j.plrev.2009.11.001. PMID 20374916. Research Blogging. [e]
- Provides an overview on existing theories of the origin of music, focusing on the interplay between music and emotion.
- Interesting discussion with contributions from multiple perspectives, though some of the major voices are missing.
- Fritz T, Jentschke S, Gosselin N, Sammler D, Peretz I, Turner R et al. (2009). "Universal recognition of three basic emotions in music.". Curr Biol 19 (7): 573-6. DOI:10.1016/j.cub.2009.02.058. PMID 19303300. Research Blogging. [e]
- Reviewed in this blog post.
- Juslin, P.; Västfjäll, D. (2008). "Emotional responses to music: The need to consider underlying mechanisms". Behavioural and Brain Sciences: in press.
- Taylor, A.M.; Reby, D.; McComb, K. (2008). "Human listeners attend to size information in domestic dog growls". The Journal of the Acoustical Society of America 123: 2903. Retrieved on 2008-06-26.
- Trainor, L. (2008). "The neural roots of music". Nature 453 (7195): 598-9. DOI:10.1038/453598a. Research Blogging.
- Ghashghaei, H.T.; C.C. Hilgetag & H. Barbas (2007), "Sequence of information processing for emotions based on the anatomic dialogue between prefrontal …", Neuroimage 34 (3): 905–923, DOI:10.1016/j.neuroimage.2006.09.046
- Storbeck, J. & G.L. Clore (2007), "On the interdependence of cognition and emotion", Cognition and Emotion 21 (6): 1212–1237, DOI:10.1080/02699930701438020 [e]
"We conclude that one function of affect is to regulate cognitive processing."
- Eldar, E.; Ganor, O.; Admon, R.; Bleich, A.; Hendler, T. (2007). "Feeling the Real World: Limbic Response to Music Depends on Related Content". Cerebral Cortex 17 (12): 2828. DOI:10.1093/cercor/bhm011. Research Blogging.
- Porges, S.W. (2007), "The polyvagal perspective", Biological Psychology 74 (2): 116–143, DOI:10.1016/j.biopsycho.2006.06.009 [e]
- Koelsch, S.; Fritz, T.; Von Cramon, D.Y.; Müller, K.; Friederici, A.D. (2006). "Investigating emotion with music: an fMRI study". Human Brain Mapping 27 (3): 239-250. DOI:10.1002/hbm.20180. Research Blogging.
- Davies, S. (2006). "Artistic Expression and the Hard Case of Pure Music, in: Kieran, M. (Ed.), Contemporary Debates in Aesthetics and the Philosophy of Art": 179-91.
- Scherer, K.R. (2004). "Which Emotions Can be Induced by Music? What Are the Underlying Mechanisms? And How Can We Measure Them?". Journal of New Music Research 33 (3): 239-251.
- Juslin, P.N.; Laukka, P. (2003). "Communication of emotions in vocal expression and music performance: different channels, same code?". Psychol Bull 129 (5): 770-814. Retrieved on 2008-06-26.
- Krumhansl, C.L. (2002). "Music: A Link Between Cognition and Emotion". Current Directions in Psychological Science 11 (2): 45-50. DOI:10.1111/1467-8721.00165. Research Blogging.
- Blood, A.J.; Zatorre, R.J.; Bermudez, P.; Evans, A.C. (1999). "Emotional responses to pleasant and unpleasant music correlate with activity in paralimbic brain regions". Nature Neuroscience 2: 382-387. DOI:10.1038/7299. Research Blogging.
- Scherer, K.R. (1995). "Expression of emotion in voice and music". Journal of Voice 9 (3): 235-248. DOI:10.1016/S0892-1997(05)80231-0. Research Blogging.
- Morton, E.S. (1977). "On the Occurrence and Significance of Motivation-Structural Rules in Some Bird and Mammal Sounds". The American Naturalist 111 (981): 855. DOI:10.1086/283219. Research Blogging.
- James, W. (1884). "What is an emotion". Mind 9 (34): 188-205.