Ellesmere Chaucer manuscript

Page of The Canterbury Tales from the Ellesmere Chaucer manuscript.

The Ellesmere Chaucer manuscript, also Ellesmere Chaucer or Ellesmere manuscript, is an early 15th century illuminated manuscript of Geoffrey Chaucer's The Canterbury Tales. It is part of the Ellesmere manuscripts and referred to as MS EL 26 C 9. Together with the Hengwrt Chaucer manuscript it is considered to be the most important source of the original text of The Canterbury Tales. The Ellesmere Chaucer is held in the Huntington Library in San Marino, California. It is named after its former owner, the Earl of Ellesmere.

Significance of the Ellesmere Chaucer

The Ellesmere Chaucer is one of the oldest surviving manuscripts of The Canterbury Tales. It was copied in the years following Chaucer's death in 1400, according to some in 1401, to others in c. 1410. Since no holograph of Chaucer is ever found, it offers the best evidence to what he wrote.
Still it was only with the publication of Walter W. Skeat's edition of the Works of Geoffrey Chaucer in 1894, that the Ellesmere Chaucer gained its eminent textual status. After Skeat many editions were based on the Ellesmere Chaucer, including the Riverside Chaucer in 1987. Other editions were based on the Hengwrt Chaucer manuscript. In fact, no matter which of these is choosen, the other one is heavily consulted.

History of the manuscript

The early history of the Ellesmere Chaucer manuscript is uncertain, but it is possible that soon after Chaucer's death in 1400, his son Thomas commissioned a deluxe manuscript of The Canterbury Tales, and provided the materials to produce it. Over a large period of time names were recorded in the manuscript, which implies that it must have had several owners. The following is a reconstruction of that ownership with the use of the most important of those glosses.

House de Vere

Since a ballad on the House of Vere is included at the beginning of the manuscript, an early association with John de Vere (1408-1462), 12th Earl of Oxford is probable. After the death of his father in 1417, he became ward of the Duke of Exeter, and in 1426 of the Duke of Bedford, both kinsmen of Thomas Chaucer.
At the time of death of John de Vere (1442-1513), 13th Earl of Oxford, Sir Robert Drury was one of the executors of the will and among the legatees were Sir Drury's sons-in-law, George Waldegrave and Sir Giles Alington.

Drury Family

From 1513 on the manuscript seems to have been in the possession of the Drury family.

“Robertus drury miles [space], William drury miles, Robertus drury miles, domina Jarmin, domina Jarningam, dommina Alington,”

This gloss refers to Sir Robert Drury of Hawsted in Suffolk, his two sons William and Robert, and his three daughters, Anna, Bridget and Ursula. In 1495 Sir Drury had been speaker of the House of Commons and he was also a member of Henry VIII's Council. Anna Drury was married to George Waldegrave, and after Waldegrave's death in 1528 to Sir Thomas Jermyn. Bridget Drury was married to Sir John Jernyngham of Somerleyton and Ursula Drury was married to Sir Giles Alington. The names Domina Jernegan and Domina Alington are repeated in the manuscript. The gloss "Edwarde Waldegrave" probably refers to George Waldegrave's and Anne Drury's son, who was born in 1514.

"... per me henricum Payne" "And also my Chaucer written in vellum and illumyned with golde."

This could be Henry Payne of Nowton, near Hawstead, a member of 'The Honourable Society of Lincoln's Inn', who died in 1568. He had witnessed Sir William Drury's will in 1557 and had gotten a legacy from him. In his own will, he bequeathed the manuscript to Sir Giles Alington, the grandson of Ursula Drury and her husband Giles Alington.

"1 Durum 5 Pati 68 R. North"

This gloss gives us the date 1568 and the motto "Durum pati" of Roger North (1530/31-1600), 2nd Lord North, the new owner of the manuscript, although it is not known how it came into his possession. Some verses were added to the manuscript, signed with 'R.N.' or 'R. North'.

The Bridgewater Library

After the death of Lord North in 1600, the manuscript came into the possession of John Egerton (1579-1649), who was created 1st Earl of Bridgewater in 1617. He added the pressmark "Q3" to the manuscript. John Egerton (1622-1696), 2nd Earl of Bridgewater corrected that later to "Q.3/3". The manuscript became part of the Bridgewater library and was housed at Ashridge in Hertford, where it would stay until 1802. It was then moved to London. A year later Francis Egerton (1736-1803), 6th Earl and 3rd Duke of Bridgewater died unmarried. His distant cousin, John William Egerton (1753-1823), inherited the earldom of Bridgewater and the Ashridge lands. His nephew, George Granville Leveson-Gower, 2nd Marquis of Stafford (later 1st Duke of Sutherland), inherited the Bridgewater library and other properties including Bridgewater House in London. From 1803 to 1833 the manuscript was called the Stafford Chaucer. Leveson-Gower’s younger son, Francis Egerton, created Earl of Ellesmere in 1846, inherited the library and the Stafford Chaucer became the Ellesmere Chaucer. The library remained in the family until it was sold by John Francis Granville Scrope Egerton (1872-1944), 4th Earl of Ellesmere.

Henry E. Huntington and the Huntington Library

In 1917 Henry Edwards Huntington, railroad magnate and collector of art and rare books, purchased the Bridgewater library privately from Sotheby's. That makes him the last private owner of the manuscript that is now known as the Ellesmere Chaucer. After Huntington's death in 1927, his priceless library of rare books and art was opened to the public.

Description

The beautiful, large manuscript, probably made and bound in London, is approximately four hundred by two hundred eighty-four millimeters in size. It contains two hundred and forty fine vellum leaves, two hundred thirty-two of which contain the text of The Canterbury Tales. It is written in an anglicana formata script by the scribe who also copied the Hengwrt Chaucer manuscript. In 2004 this scribe has been tentatively identified as Adam Pinkhurst. The remaining leaves contain verses, notes and scribbles by various persons. It is luxuriously illuminated and by far the most famous survivor of the rare illustrated versions of Chaucer's major works. In circa 1911 it was bound in dark green morocco, with the Egerton arms stamped in gold on the front cover. In 1994 the previous modern green goatskin binding of the manuscript was removed and in 1995 the manuscript was re-bound, using original 15th-century techniques.

Sources and references

• Ellesmere Chaucer - Guide to Medieval and Renaissance Manuscripts in the Huntington Library.
• Ruth Evans, "Chaucer's life", in: Steve Ellis Chaucer An Oxford Guide (2005). New York United States: Oxford University Press. Inc. ISBN 0-19-925912-7
• Elizabeth Scala, "Editing Chaucer", in: Steve Ellis Chaucer An Oxford Guide (2005). New York United States: Oxford University Press. Inc. ISBN 0-19-925912-7