Henri Cartier-Bresson: Difference between revisions

From Citizendium
Jump to navigation Jump to search
imported>Howard C. Berkowitz
(New page: '''Henri Cartier-Bresson''' (1908-2004) was a French photographer, often considered the "father of modern photojournalism", whose guidance was to capture what he called "the decisive momen...)
 
imported>Howard C. Berkowitz
No edit summary
Line 1: Line 1:
{{subpages}}
'''Henri Cartier-Bresson''' (1908-2004) was a French photographer, often considered the "father of modern photojournalism", whose guidance was to capture what he called "the decisive moment". His technique was to be unobtrusive, using a quiet 35mm rangefinder camera.
'''Henri Cartier-Bresson''' (1908-2004) was a French photographer, often considered the "father of modern photojournalism", whose guidance was to capture what he called "the decisive moment". His technique was to be unobtrusive, using a quiet 35mm rangefinder camera.
<blockquote>To take a photograph means to recognize – simultaneously and within a fraction of a second– both the fact itself and the rigorous organisation of visually perceived forms that give it meaning.
<blockquote>To take a photograph means to recognize – simultaneously and within a fraction of a second– both the fact itself and the rigorous organisation of visually perceived forms that give it meaning.

Revision as of 19:37, 12 March 2010

This article is a stub and thus not approved.
Main Article
Discussion
Related Articles  [?]
Bibliography  [?]
External Links  [?]
Citable Version  [?]
 
This editable Main Article is under development and subject to a disclaimer.

Henri Cartier-Bresson (1908-2004) was a French photographer, often considered the "father of modern photojournalism", whose guidance was to capture what he called "the decisive moment". His technique was to be unobtrusive, using a quiet 35mm rangefinder camera.

To take a photograph means to recognize – simultaneously and within a fraction of a second– both the fact itself and the rigorous organisation of visually perceived forms that give it meaning.



It is putting one’s head, one’s eye, and one’s heart on the same axis.[1]

References

  1. The Artist, HCB Foundation