Croatian Naive Art

Croatian Naïve Art

The entire movement of what is now called Croatian naïve art began some time between 1929 and 1930 when a political dissident artist named Krsto Hegedusic, while traveling through the Yugoslavian countryside, came upon two young farmers (late teens to early 20’s) painting on paper and doing quite a respectable job as he saw it. These two artist/farmers were Ivan Generalic and Franjo Mraz and Hegedusic immediately began to try to show them a new method of painting on the reverse side of glass. He explained that when done properly and viewed from the other side through the glass, that the colors were spectacular and the painting and technique unique. Being the political dissident that he was, Hegedusic persuaded the young artists to paint scenes of political protest telling them that it was a responsibility to say something important against their repressive government. Initially, the farmer artists did follow Hegedusic’s suggestion, but it was not long before they began to break away from Hegedusic and paint subject matter they felt more interesting; scenes from the countryside and the farm life these artists knew only too well. It was also not long before Hegedusic’s “social protest” art was no longer a strong movement in what was then still Yugoslavia. Naturally, being farmers, these new artists painted in the evenings and on weekends when they were not out in the field tending to their chores. Also, because they finished their work in the Fall and didn’t have to plant until Spring they had all of this time through the winter to develop their painting skills. Once other farmers heard that some of their neighbors were doing this new form of art, painting on the back side of glass, they often traveled miles to visit an artist to see what was so interesting about this type of painting and to see how it was done. For some reason the area in what is now Croatia and is called Podravina became fertile ground for this new art form to flourish.